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He later became an ersatz hippie, hitchhiking across the country, selling Grateful Dead and anti-Nixon T-shirts he made and experimenting with drugs. In his early teens he was, for a time, a Jesus freak. He experienced the Sixties via television he was ten when Robert Kennedy and Martin Luther King Jr. The Harings lived in Kutztown, Pennsylvania, where Keith had an unextraordinaty childhood of paper routes and odd jobs. With white chalk, he made simple, powerful and distinctive figures – crawling babies, dogs, flying saucers and the like – that were cartoonlike, reflecting his earliest influences, which included Walt Disney and his father, an engineer whose hobby was cartooning. It’s an exhausting schedule, but Haring, 31, has rarely set down his paintbrush since he first gained attention in the late 1970s for his drawings in the New York City subways. From there he travels to Pisa to paint a mural on a historic site within the walled city. After that, he’s off to Paris, where he and Soviet painter Eric Bulatov are painting huge canvases that will fly over Paris on opposite sides of a blimp.
In June he travels to Antwerp for the opening of an exhibition of his newest paintings.
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The next morning he will jet off to Iowa to visit an elementary school where he painted a mural five years ago, then he will return to New York to work on a series of etchings and to paint a mural in the Lesbian and Gay Community Services Center.
His last day in Chicago, Haring paints two walls in Rush-Presbyterian-St. Asencios, who lives with his father, an exterminator, and hasn’t seen his mother except twice in nine years, says Haring is the nicest person he has ever met in his life. “I’ll take it next year.” This experience has transformed him. “I haven’t ever taken art” Asencios says. Hating has invited Asencios to see the Cirque du Soleil, a theatrical circus, tonight. In Haring’s hotel room, one of the students, a seventeen-year old junior named Joe Asencios, orders a well-done steak from room service.
One girl in a cluster of seniors says to him, “I really got to thank you.”Another pipes in, “Yeah, not manypeople pay attention to us.” The first girl says, “Most people consider us an eyesore.” A tall boy who has been silently watching adds, “Like we don’t exist.” They walk away in Keith Haring hats and T -shirrs. Before they go, they swarm around the artist, asking him to draw on and sign their hats. One day it begins to rain, so the kids are asked to come back to paint the next day. Others: NO SEX UNTIL MARRIAGE, and DON’T USE DRUGS. Another writes, I WOULD FLY IF I HAD WINGS AND SOMEWHERE TO FLY. Haring encourages and coaches the kids as they add to his dancing figures and abstract creatures and shapes. Haring and the kids will spend several days painting the wall, which will then be moved to a building construction site near downtown Chicago and eventually broken up into panels that will be placed permanently in the participating schools. For example: “Whereas Keith Haring is internationally recognized as one of the most important artists of his generation and is acknowledged to have popularized and expanded the audience for the art forms of painting and sculpture.” Or this one, Haring’s favorite: “Whereas he is respected for committing his life and work to the democratic ideals of social justice, equality and compassion for his fellow man.”Ī 520-foot ribbon of whitewashed plywood has been constructed in Grant Park across from the city’s Cultural Center. The artist is here to work with some 300 public-high-school kids on a mural, and Daley has issued an official proclamation with lots of official-sounding whereases. Daley has declared it Keith Haring Week in Chicago. Now, living with AIDS, he sums up his life and times. JUST SAY KNOW “You use whatever comes along” says artist Keith Haring about the path his career has taken. DAVID SHEFF co-wrote “Portrait of a Generation ’ which appeared in Rolling Stone 523 and Rolling Stone 525.